Fleet Foxes
»White Winter Hymnal«
Haldern Pop Festival 2008

It ain't grunge, and yet the Seattle quintet signed up to Sub Pop and Bella Union. The famous five describe their music as “baroque harmonic pop jams.” They earned their first silver stars at festivals like the Bumbershoot Music Festival in Seattle, Washington, South by Southwest in Austin, Texas and the Sasquatch! Music Festival. Their debut album Fleet Foxes came out in the USA in June 2008, collecting 4 **** in Rolling Stone and earning comparisons with the likes of the Beach Boys, Animal Collective and Crosby, Stills & Nash. Just recently, Pitchfork gave them a 9 out of 10 rating. In February they toured with their compatriates Blitzen Trapper. Those old enough to remember Simon & Garfunkel will detect certain similarities in the vocal harmonies. Indeed, influences abound in this baroque pop relative of folk: “we grew up with our parents' record collections” Robyn explains, “The Beach Boys, Simon & Garfunkel, The Zombies, Joni Mitchell, Fairport Convention, Steeleye Span, Love, Marvin Gaye, Bach, Crosby Stills & Nash, Bob Dylan, Buffalo Springfield (...).” Don't be thrown off the track by floppy hats, Jesus beards or five part harmonies, however. Fleet Foxes do not see themselves as hippies. On the contrary... “Hippies were cool, but cocaine destroyed them...” front man Pecknold points out, before adding “Don't quote me on that!”
(Haldern Pop »Datt Blatt«)

Fleet Foxes are a five-piece Seattle-based band signed to Sub Pop and Bella Union. The band came to prominence in 2008 with the release of their second EP, Sun Giant, and their debut full length album Fleet Foxes. Both Sun Giant and their eponymous debut album received much critical praise and reviewers often noted their use of refined lyrics and vocal harmonies. The quintet describe their music as "baroque harmonic pop jams".

Formation and early years
Robin Pecknold and Skye Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on — Skjelset's mother was a keen listener of both Bob Dylan and Hank Williams while Pecknold's father was a member of The Fathoms, a local 1960s soul group. The two were interested in the achievements of Dylan and Brian Wilson and realized the importance of practicing music from a young age.

Originally going by the name "Pineapple", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. Pecknold's late-sixties pop style caught the attention of Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and upon hearing Pecknold for the first time, noted that "it was obvious that he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity.

With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house.

Rise to prominence
Fleet Foxes were becoming increasingly popular and by late 2007 they had attracted over a quarter of a million song plays over two months on their Myspace site. Although the band had not released any of their recordings, they benefited from word of mouth exposure and their success soon translated into a record deal, signing with Warner Music subsidiary record label Sub Pop on January 18, 2008. The band completed the recording of their second EP, Sun Giant, around the same time in preparation for upcoming tours. Fleet Foxes began their spring tour with fellow Northwest band Blitzen Trapper on February 28, 2008. The band's performances, first at the SXSW festival in March 2008, and then the Sasquatch! festival in May 2008, moved the band into the public consciousness, notably attracting attention from the European press for the first time.

Sun Giant was released internationally on April 8, 2008 and the group's brand of folk, rock and pop, marked by their use of vocal harmonies, was well received by the press. Despite the warm critical reception, the group stated that the EP did not represent their full ambitions, serving merely as a CD to sell while on tour. In May 2008 the band chose to extend their North American and European tour until September in support of their forthcoming album. Additionally, the band grew in number as songwriters Christian Wargo and J. Tillman joined Fleet Foxes on guitars and drums respectively. Their debut full length album Fleet Foxes was released shortly afterwards on June 3, 2008. The album achieved similar critical success as the previous EP had. Fleet Foxes received four stars from Rolling Stone, who compared it to the likes of the Beach Boys, Animal Collective, and Crosby, Stills & Nash, and a 9.0 out of 10 in a review by Pitchfork. The Guardian was particularly complimentary, awarding the album five stars and declaring it "a landmark in American music, an instant classic." On June 24, 2008, Fleet Foxes went to #1 on the CMJ Radio 200 Chart. The album achieved an average rating of 87% from 30 reviews on aggregator website Metacritic, placing it in the category of "universal acclaim".

While the group enjoyed moderate success in the United States, Fleet Foxes was better received in Europe, selling over 200,000 copies in the first five months following its release. The sales were matched with critical plaudits and their debut album won Uncut's first ever Music Award 2008 prize. Uncut editor Allan Jones said that the album "showed impeccable musicianship, and though you could trace its antecedents, it sounded totally unique. Fleet Foxes was just a glorious debut." The band sold out music venues for their tours of Australia, New Zealand and the United Kingdom, reaffirming their growing popularity.

At the end of 2008, Fleet Foxes was rated album of the year by Billboard's Critic's Choice and in Metacritic's end of year best album round-up it appeared in 17 lists, topping six of them. Furthermore, it had sold around 141,000 copies in North America and over 100,000 copies in the United Kingdom, making it the first gold certificate record for UK label Bella Union. Their growing profile enabled the band to make televised appearances, playing on Vincent Moon's "La Blogotheque" in December 2008 and on Saturday Night Live the following January. In 2009, they toured in Europe to favorable reviews; Dutch newspaper De Volkskrant said their show in Paradiso induced goosebumps.

The content of the article on this page is based on an article taken from Wikipedia the free encyclopedia under the terms of the GNU Free Documentaion License. You can see the original article here. The terms of the GNU Free Documentation License only apply to the content of this article. A list of authors is available from Wikipedia.

Official website: www.subpop.com/artists/fleet_foxes
MySpace page: www.myspace.com/fleetfoxes

This song was recorded live
at the Mirror Tent
at Haldern Pop Festival 2008

Video: SpringerParker
Sound: Modo Bierkamp

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